#KNET Integration

[actionhotels-kuwait-blog]

https://chrisansgroup.com/

We are Kuwait based registered Web design agency & Mobile Apps Development Company with a professional team in E-commerce Web Development and Expertise in Mobile Apps Development. Our services include Responsive Web Design, Web Development, E-commerce Development, Creating Online Stores, SEO Services, WordPress Website Development, Payment Integration in KNET and Credit Cards, IOS App Development in iPhone/iPad, and Android Apps Development. We offer custom Web Design solutions, WordPress Development, Native Mobile Apps Development, and Hybrid Mobile Apps Development on React Native and Flutter.

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— 𝕋𝕙𝕖 𝔹𝕠𝕪𝕫 future Requested

⠀⠀ㅤ ε ї з 🧊🫐⠀ ⠀..⠀ ⠀冷たい葉

Based on tarot for entertainment purposes only

——���———————————

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The boyz in six months

Over the next six months, hidden truths are likely to come to light involving both the members and those on their team. Someone operating from behind a screen appears to be intentionally working against them, feeding negative intentions. This interference will bring tension, causing emotional distance among some members. Isolation or a “look out for yourself” mindset could be adapted by some, and another member may even choose to step away from the group entirely.

However, light will break through. Positive truths will also surface. Words and actions that reflect their integrity and support their image. Yet, not everyone will be willing to embrace the new information. For some, the emotional impact of earlier events may feel irreversible. During this time, every step they take will be watched closely and critiqued.

The boyz in one year

The Boyz might be heading into a period of financial strain. They could be dealing with debt or money related stress, pushing them to accept nearly every job that comes their way just to stay afloat. It feels like their company is part of the problem. Holding them back with empty promises about future activities, while not truly investing in their growth. There’s a sense that the support they deserve is being withheld, both financially and emotionally.

The boyz in two years

In two years, The Boyz will go through a major transformation. Their struggles will likely continue, and past controversies may still linger. It could feel as though they’re stuck in a cycle, repeating familiar patterns they haven’t quite broken free from. To move forward, they might need to rethink their approach as a group. Possibly adopting a new concept or even a new name, something that aligns more with what the general public, especially Knets, find appealing.

In doing so, they may lose some of the originality or distinct charm. The shift could steer them toward a more mainstream or traditional image. While this change might feel bittersweet, it will also unlock new opportunities and paths that weren’t available to them before.

Channeled song Lowkey I’m ngl this song coming through was a little funny to me, but in all seriousness picture knets singing this to the boyz. The lyrics “you belong to me, how my poor heart aches, with every step you take I’ll be watching you”. That’s exactly how the next year will go for them.

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Note: The reading came out short and a bit vague, but that’s intentional. I try to avoid diving too deep into scandals or sensitive topics. Still, let’s be honest we all know the energy behind this and where it’s coming from.

[noonaishere]

All of the Times Ateez Has Been Plagiarized (That I Know Of, So Far)

For legal purposes, these are all allegations.

So, I’m making this little essay/list/thing partly for myself (because I know *I* keep forgetting all of these instances) and partly because I always see incomplete lists going around and it annoys me a little that some of the people on this list seem to have been forgotten for whatever reason. Also, a lot of lists I’ve seen aren’t in chronological order? Which I just find odd. I’m going to try and include as many links as I can to articles, videos, etc, and I’ll be including pictures from them here, just to make it easier for you lovely readers.

(Also, if you think I'me being biased towards koreaboo articles, it's only because they embedded the tweets they used correctly, so they actually click through. Other sites I looked at, either the tweets show an error, or they're static images of low quality.)

Here's the incomplete article that inspired this.

So here is the list of:

All of the Times Ateez Has Been Plagiarized (That I Know Of, So Far)

---2020

MONOPOLY, HOLY MOLY – 2020 (Sept)

I can’t find anything about this artist, it seems to be only one person so maybe they’re just releasing it for fun? They plagiarized Treasure: Epilogue Action To Answer (and not even well, if you look at the shape of the black bar closely).

They did end up apologizing and changing the cover to something else, so at least they have more integrity than some of the other people on this list.

.

---2021

Ammonit, Reverse – 2021 (Oct)

Another small artist or group, Ammonit plagiarized the style of the Fever series album covers. Like Monopoly, Ammonit also changed their cover later. Though I haven’t seen whether or not they issued an apology, at least they changed it.

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TRINITY, Life Ain’t Over – 2021 (Dec)

For their 2021 release of *Life Ain’t Over* Thai three-member group TRINITY copied Ateez’s Deja Vu photoshoot (the one member even having the same shirt as wooyoung), and their Fireworks mv. I’m actually not sure if they had ever acknowledged that they were being accused of plagiarism or not or apologized when I tried searching. (I thought someone had made a video comparing the two, but I can’t seem to find it.)

Now we get into Ateez’s worst year for plagiarism (so far)...

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---2022

Soyeon, Sun – 2022 (Feb)

This is probably one of the biggest ones to happen, I won’t lie. I remember the indignation of Atiny, the disappointment of (G)-IDLE fans, and general disappointment and confusion by Knets.

This was the finale of the survival show My Teenage Girl, and the song in the video, Sun, was written for the contestants by (G)-IDLE member, Soyeon. The chorus sounds like a pitched up version of the chorus from Ateez’s Wave.

Sportskeeda article

Koreaboo article

At first people wondered if it was maybe a sample, but it wasn’t. To sum up the initial discussion:

Then on Feb 28th it got weird, because suddenly EDEN-ary (Ateez’s production team) had a credit on the song on Bugs (though this wasn’t changed on other platforms). 

Also on the 28th, KQ issued a statement after receiving reports from fans about the similarity:

“On the 27th, the Challenge Team’s stage, called ‘SUN’, was broadcast for the first round of the FINALs on My Teenage Girl. Afterward, we received multiple reports through the company’s official channel and mails from webmasters that the song’s chorus melody was similar to ATEEZ’s ‘WAVE’, which was released in 2019. As the company was monitoring the related issue, they discovered that the company’s producing team, Eden-ary, was listed in the credits for ‘SUN.’ We want to clarify that we did not have any discussions before with the company or Eden-ary. In hopes of respecting creators and their unique works and in hopes that any misinformation can be corrected, we ask everyone to refrain from making unreasonable assumptions regarding the issue. Thank you.”

So they did not have discussions with CUBE about the use of Wave prior to the premier of Sun on MBC. 

CUBE then released a statement: 

“Hello, this is CUBE Entertainment. We would like to explain what happened on MBC’s My Teenage Girl regarding the song ‘SUN’ and (G)I-DLE’s Soyeon. First, we sincerely apologize for the concerns caused by the production of the song ‘SUN.’ Following the broadcast, through monitoring the episode, we recognized some of the similarities in the two melodies. Our artist immediately reached out to the original composer to explain the situation and apologize. In this process, especially since we admitted the similarities, we decided the song credits should be edited and properly given to the original composer. Soyeon discussed this option with the original composer and we asked the producers of the show to implement the credit change.”

So their statement seems to be that they realized the similarities after, and that Soyeon contacted EDEN-ary and then added them to the song credits. Their statement continues:

“An hour before the song’s release, however, the original composer’s agency declined our suggestion to be credited. We asked the producers of the show to undo the credit change but the change could not be applied and the song became released as-is.”

So, an hour before the show aired, they called up KQ, KQ declined a song credit (I would guess because it sort of made it look like a collaboration and let CUBE/Soyeon off the hook for plagiarism), and it was too late to change it.

Soyeon’s statement is a little different: 

“After the episode aired, I thought I should apologize to the original composer for some of the similarities that have been suggested. So I got in touch with the original composer, explained what happened, and apologized for it.”

In that, in her recounting of events, her apology took place *after* the show aired.

Koreaboo article

As one person observed:

So yeah, kind of a Grade-A Mess.

After everything died down, CUBE registered the song copyright and it seemed like comments regarding the controversy were disappearing? No clue what that’s about.

Koreaboo article

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NMIXX, OO – 2022 (Feb)

Welcome to: A Bigger Mess.

Koreaboo article

Someone at JYP is a BIG Ateez fan, I think. There are similarities between the look of their mvs (NMIXX even having some locations be the same as Ateez’s mvs), but there’s similarities with lyrics, graphic design choices, and lore. Basically, the only thing that isn’t similar is their sound.

The studio DIGIPEDI has worked with Ateez before and worked on NMIXX’s O.O video, but Illusion (the mv that NMIXX’s debut seems to mirror most strongly) is not one that DIGIPEDI worked on.

Now, while it’s not as if another group can’t have a pirate ship, can’t have a dreamy landscape - in fact, the group Treasure has a flying ship and a dreamy landscape in some of their mvs - but, as someone observed:

(I apologize for having to screencap a tweet from an article, but Mr. Muskrat has made his website so unusable that I can’t even find the original tweet.)

Even if the production team at JYP somehow happened on the same concept and look that Ateez has used for years, it would still be on them to realize, “Oops, this is too similar, we need to change something before people think we’re copying,” and then change the things that were too similar so they didn’t look like they had no ideas. Marketing research is a thing that companies that make stuff (even music) do as a prelude to starting a project, so I don't understand why it seems like JYP's team didn't do any.

Like, Charles Dickens had books where people were arrested for stealing bread, Les Miserables has a main character arrested for stealing bread, the Disney movie Aladdin has a character almost arrested for stealing bread; having the action “someone stealing bread” doesn’t mean that all of those creators have stolen the idea from each other, the idea exists as an idea a lot of people have. Just like flying ships and flying whales (Gojira, anybody?) and pirates and dreamlands aren’t owned by anybody - not even Ateez - it’s when you use all the ideas someone else has already used, and you use them in a way that looks JUST like the person or people you got the ideas from that it starts to become a problem. You can take inspiration from someone or something else, but you can’t just take That Thing and make it “2 inches to the left,” you know? For instance, I might read Lord of the Rings and want to write a book with elves and dwarves and a terrifyingly evil bad guy with a ring - those are all things in other stories that no one owns - but I CAN’T write a story where a group of people take a ring once owned by a terrifyingly evil bad guy and bring it to a volcano to throw it in, I have to write a different story where the ring does something else and the elves and dwarves maybe won’t even work together and there’s a different type of battle, and the bad guy looks a different way and maybe isn’t even a guy, and the world doesn’t look like Middle Earth-- and definitely I can’t use hobbits because they’re legally owned by the Tolkien estate because they were his original idea (that’s why they’re called “halflings” in DND, because of legal reasons.)

Anyway, back to normalcy. Please direct your attention to the lyrics portion of this video:

There’s a lot of similarities with their lyrics as well, so I don’t think NMIXX’s look kind of being “Ateez but 2 inches to the left” is as coincidental as some people wanted others to believe.

(PS: this is not me hating on the girls in NMIXX at all, they seem talented and nice. This is about one of the Big Three companies having a production team that doesn't need to copy others but seem to have done so anyway. But, since their look and even their sound seems to have changed a whole hell of a lot since debut, it seems like JYP has sort of abandoned NMIXX’s look at debut?)

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Eltee Skhillz, Odg – 2022 (Mar)

(Sorry for the quality.)

I don’t even have to say anything, the evidence is right there. 

I think I have a moral obligation to make the joke, “His name is Eltee Skhillz [elite skills], but the only thing he’s skilled at is not having his own ideas.” (I think I’m allowed to be salty, he really went frame by frame as he copied.)

Eltee Skhillz (or someone in his team) put in the youtube description of the mv, “Partly inspired by ATEEZ "The Real" and "Say my name" music video”. Please see my earlier tangent about how inspiration and copying are not the same.

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Vata, New Thing choreo – 2022 (Oct)

This accusation was about a point of choreography. On the dance competition show Street Man Fighter, We Dem Boyz leader Vata performed a dance move that looked pretty similar to Atinys:

This is straight up the Driving move from Ateez’s first comeback, Say My Name. It’s in between a “starting a bike” move and a “getting off a bike move”, but the move in between is the SMN Driving move. 

Interestingly enough, there’s a moment in Street Man Fighter where We Dem Boyz is unhappy that it seems that another group has copied their choreography, and they say, “They copied about four counts,” of the choreo, from 1:48 - 1:54:

I WISH I could find this other video, where they were in the middle of a dance battle on the show, and Vata copied another groups move. The other group got annoyed and started arguing and Vata and his group said, “If it’s three beats, we’ll consider it copied.” Meaning: if someone does 1 oe 2 beats of someone else's move, it's not copied, but 3 or more beats is. I just found that so funny because Vata insists he didn’t copy the SMN move, but it’s 3 or 4 beats, both of which match with WDB's (conflicting) arguments for why they didn't copy other teams during Street Man Fighter.

(If anyone finds that clip, please let me know. I saw it around the time everything was happening but I can’t find it now. It was sort of dark and the two groups were in kind of a tight ring as the members of each were dance battling and the camera angle was from higher up.) 

During the show the groups were allowed to “vandalize” each other’s rooms earlier in the season, and other groups wrote some interesting things on We Dem Boyz flag: 

From this Koreaboo article:

(Written on the paper) “Melvin copycat ㅋㅋㅋ” and “JBLAZE copycat” (the comment circled with the hearts) “JBLAZE copycat” “This is SMF but they said they’re going to do Street Boy Fighter after!!” “Tristan copycat” “We Dem Kid” “Some people might think you made Fear of God” “Some people might think you also made Essentials” “If you mess with us” (knife) “You need to practice dancing. ‘You should dance the same dance at least, you guys are a team'” “Vata [cut off] Melvin copycat”

JBLAZE (along with Anze Skrube and Josh Smith) are the choreographers who created the dance for Say My Name (Anze credited Josh with creating the Drive move). Coincidentally, Melvin Timtim is another choreographer who also worked with Ateez, so that’s kind of interesting that the other groups accused WDB of copying him as well. It seems as if Vata has a well known history (in the dance community) of copying other choreographers.

Anze Skrube took to Instagram to reblog some posts regarding the situation (there was more than just this, he was popping off for days) and talked about it on his Stories:

(“I thought you are a friend of San” is in reference to San and Vata having done a challenge together a few weeks before and KQ uploading it to social media.)

Allkpop article

Mnet also coddled Vata, not taking a stance, but saying "We are in the midst of arranging a position while respecting the situation of the artist (Vata) as much as possible." Which fans HATED, because - if anyone needs to be respected here - it’s the people who were stolen from, not the one doing the stealing. (What the *fuck* Mnet? Why are you like this? This is why kpop fans use a snake emoji when they talk about you and how shady you are.)

Koreaboo article

Vata made an apology:

“This is Vata. I thought this would be a cold wind that would breeze by, but I am writing this to stop the misunderstandings. When I first heard the song, I thought of the wilderness and so I made the intro of riding a horse or motorcycle. That’s why in the beginning, there is a motion of kicking to start the engine and a motion of getting off the bike. These are parts of one move that transition from one to the other. I think the choreography its being compared to has a different transition and means something different entirely. As someone who loves the dance culture, I believe it is at its best when the artist and dancer respect one another. It saddens me to see that this isn’t taking place. Regardless of the reason, I apologize to viewers of Street Man Fighter and to those who root for We Dem Boyz for any controversy that had occurred on my behalf. I will repay you by putting on a better stage.”

Koreaboo article

I just have to say: this really reads like one of those youtube apologies, where the youtuber deflects and doesn’t want to be held accountable for their actions. He also seems to say that Wooyoung and Anze are being disrespectful by calling him out. (And he even said "I was hoping this would blow over" I don't think you're supposed to say that in your "apology" even if you were thinking it, homes."

Because, PS!: Wooyoung called him out with the “biting” motion during a stage at Kcom Saudi Arabia:

And here are some other shorts that have clips from Anze and his IG:

Short 1

Short 2

While everyone was doing WDB's dance on tiktok, San did the LAW challenge instead (which I feel is a better song anyway, but that's just me) and it seemed that, aside from Wooyoung's call out, and San's snub, KQ was not commenting on it.

Atiny, meanwhile, streamed Say My Name and made art about respecting artists (what Vata had NOT done to Ateez). There were hashtags and SMN challenges and tweets galore:

The thing that made this whole incident REALLY strange, is that the dance Vata had plagiarized the Drive move for was for the kpop artist Zico… who is managed under KQ. So, when the music video for Zico’s song, New Thing, came out, it lacked the drive move at the beginning:

Dance Performance video

So all the people trying to say that it wasn’t copied or tried to defend Vata (I saw someone say they would defend him because he’s more famous than Ateez… please lick boots somewhere else) didn’t matter because… Zico and KQ thought it was too similar to let it slide.

(Oh! Also, Carats, EXO-Ls, Shawols, Ahgases, Monbebes, ARMYs, ELFs, and Inspirits were spotting tweeting on Atinys’ behalf, so I would like to personally thank our friends who stan other groups for their help and support. The kpop world needs some love more often than not, because we are not each other’s enemy… capitalism is our enemy.)

(Love you, bbys 💖💖💖)

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---2023

Super Dragon, Revolution – 2023 (Feb)

I hate trying to look this group up because the SEO for their name is GOD awful. Like you could not pick two more common words to name something. It’s also the name of several restaurants, the co-creator of a California wrestling promotion, and - of course - part of a title for a Dragon Ball series.

Maybe that’s why this is probably the incident I see the least. Maybe it just gets lost in the SEO sauce and no one even sees it so it’s just flying under the radar? Which is weird, because it’s like a combination of the TRINITY incident and the incident that will come next. A Frankensteinian amalgamation of a lack of imagination, if you will. 

But oh, oho! I have twitter-- I don’t have twitter, I have *a friend who has twitter,* and she messaged me very early in the morning on February 21st to send me a bunch of tweets of this band:

It’s the sound of Wonderland and the look of Fireworks.

The two songs played at the same time:

The thing that - I don’t know if I find it the funniest or if I hate it the most - but the thing is… there’s such a *severe* LACK of imagination. I’m inspired by things all the time, people, places, things, any kind of nouns, inspire me… but like I said earlier, there’s a difference between writing a story with elves and dwarves and just rewriting Lord of the Rings and pretending it’s your own. And this is just a poor man’s version of Wonderland.

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3WICH, Kicking Your Face – 2023 (Sept)

On the Taiwanese music competition show, Music Maker, group 3WICH had a song that didn’t just seem similar to Ateez’s Guerrilla, but seemed to be almost a carbon copy:

If you listen to the whole song, it’s literally just been skinned so they could put new lyrics. Originally, 3WICH and their composer, Jhen F, did a livestream where they denied there was any plagiarism, and at first the song had been left up pending investigation, but was soon taken down until the copyright issues could be clarified. The president of the TV station that ran Music Maker, Huang Liang-hsun, made a statement:

(translated by @ananmiyabi630 on twitter (I think))

Koreaboo article

This story is still developing as I write this, but it seems to have affected the president of the TV channel Music Maker is on a lot:

If he goes, I hope he has fun. 3WICH and Jhen F can sit in the parking lot and think about what they did while they listen to the stadium scream “Break the WALLLL!” at the end of the concert.

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So yeah, those are All of the Times Ateez Has Been Plagiarized (That I Know Of, So Far). I hope you enjoyed all of this mess, and maybe people won’t try to plagiarize them so much, now that they’re a bigger group and it’s more apparent that people are paying attention to them.

Idk.

Probably not.

I’ll update if I see any new ones in the future.

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"Indoor Microducts" 2024 Breakdown, Data Source, Secondary Sources, Primary Sources, Research Report delivers leading competitors strategic analysis, with micro and macro-economic factors, market trends, future growth scenarios, with pricing analysis. This report provides a holistic overview on Market Current Situations, Key Collaborations, Merger & Acquisitions along with Trending Innovations and New Business Development Policies. A detailed professional report focusing on primary and secondary growth drivers, regional segments, growth share, and geographical analysis of top key players. Indoor Microducts trend analysis with historical data, estimates to 2024 and Compound Annual Growth Rate (CAGR) forecast to 2030.

Top Key Players Covered in Market Report 2024-2030:Emtelle、Spyra Primo、Hexatronic Group、Brand-Rex (Leviton)、Draka Communications、Mexichem、Nestor Cables、Datwyler Cables、Egeplast、KNET、Clearfield、GM-Plast、SPUR、Fibrain Group、Belden PPC、Hebeish Group、Afripipes、YOFC、Shanghai Hawei

Short Description of the Indoor Microducts 2024-2030: Market Overview of Global Indoor Microducts: According to our latest research, the global Indoor Microducts looks promising in the next 6 years. As of 2024, the global Indoor Microducts was estimated at USD Million, and it’s anticipated to reach USD Million in 2030, with a CAGR during the forecast years. This report covers a research time span from 2019 to 2029, and presents a deep and comprehensive analysis of the global Indoor Microducts, with a systematical description of the status quo and trends of the whole market, a close look into the competitive landscape of the major players, and a detailed elaboration on segment markets by type, by application and by region. Global and Regional Analysis:     North America (United States, Canada and Mexico)     Europe (Germany, France, United Kingdom, Russia, Italy, and Rest of Europe)     Asia-Pacific (China, Japan, Korea, India, Southeast Asia, and Australia)     South America (Brazil, Argentina, Colombia, and Rest of South America)     Middle East & Africa (Saudi Arabia, UAE, Egypt, South Africa, and Rest of Middle East & Africa)

Market Segmentation Indoor Microducts report provides an exhaustive 360-degree analysis, by utilizing both primary and secondary research techniques. The research gained comprehensive insights into current market dynamics, pricing trends, developments, supply-demand and evolving consumer behaviors.

On the basis of product type, this report displays the production, revenue, price, market     Thick Wall Microducts     Thin-walled Microducts

On the basis of the end users/applications, this report focuses on the status and outlook for major applications/end users, consumption (sales), market share and growth rate for each     FTTX Networks     Other Access Networks     Backbone Network     Other

Inquire or Share Your Questions If Any before Purchasing This Report https://www.globalinforesearch.com/contact-us Our method for estimating market size is holistic and multifaceted. We assess vital industry trends, regulatory landscapes, and segment-specific dynamics, evaluating their potential influence on demand projections. Key macroeconomic factors, including price fluctuations, demographic shifts, and changes in demand patterns, are integrated into our calculations. To discover market value, we not only delve deep into the profiles of prominent players and their global market shares but also rely on our frequently updated internal database, enriched with insights and announcements from pivotal market stakeholders.

Some of the Key Questions Answered in this Report:

What is the Indoor Microducts size at the regional and country level

What are the key drivers, restraints, opportunities, and challenges of the Indoor Microducts, and how they are expected to impact the market

What is the global (North America, Europe, Asia-Pacific, Latin America, Middle East, and Africa) sales value, production value, consumption value, import and export of Indoor Microducts

Who are the global key manufacturers of the Indoor Microducts? How is their operating situation (capacity, production, sales, price, cost, gross, and revenue)

What are the Indoor Microducts opportunities and threats faced by the vendors in the Indoor Microducts?

Which application/end-user or product type may seek incremental growth prospects? What is the market share of each type and application?

What focused approach and constraints are holding the Indoor Microducts?

What are the different sales, marketing, and distribution channels in the global industry?

What are the key market trends impacting the growth of the Indoor Microducts?

Economic Impact on the Indoor Microducts and development trend of the Indoor Microducts

What are the Indoor Microducts opportunities, market risk, and market overview of the Indoor Microducts

The content of the study subjects, includes a total of 15 chapters: Chapter 1, to describe Hydrogen Bromide product scope, market overview, market estimation caveats and base year. Chapter 2, to profile the top manufacturers of Hydrogen Bromide, with price, sales, revenue and global market share of Hydrogen Bromide from 2019 to 2024. Chapter 3, the Hydrogen Bromide competitive situation, sales quantity, revenue and global market share of top manufacturers are analyzed emphatically by landscape contrast. Chapter 4, the Hydrogen Bromide breakdown data are shown at the regional level, to show the sales quantity, consumption value and growth by regions, from 2019 to 2030. Chapter 5 and 6, to segment the sales by Type and application, with sales market share and growth rate by type, application, from 2019 to 2030. Chapter 7, 8, 9, 10 and 11, to break the sales data at the country level, with sales quantity, consumption value and market share for key countries in the world, from 2017 to 2022.and Indoor Microducts forecast, by regions, type and application, with sales and revenue, from 2025 to 2030. Chapter 12, market dynamics, drivers, restraints, trends and Porters Five Forces analysis. Chapter 13, the key raw materials and key suppliers, and industry chain of Hydrogen Bromide. Chapter 14 and 15, to describe Hydrogen Bromide sales channel, distributors, customers, research findings and conclusion. Global Info Research is a company that digs deep into global industry information to support enterprises with market strategies and in-depth market development analysis reports. We provides market information consulting services in the global region to support enterprise strategic planning and official information reporting, and focuses on customized research, management consulting, IPO consulting, industry chain research, database and top industry services. At the same time, Global Info Research is also a report publisher, a customer and an interest-based suppliers, and is trusted by more than 30,000 companies around the world. We will always carry out all aspects of our business with excellent expertise and experience.

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CHRISANS WEB SOLUTIONS

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[chrisanswebsolution]

CHRISANS WEB SOLUTIONS

Address: 4th Floor, Al Zumorrodah Tower, Ahmed Al Jaber st, Kuwait

Phone: +965 506 25825

Website: https://www.chrisansgroup.com/

We are Kuwait based registered Web design agency & Mobile Apps Development Company with a professional team in E-commerce Web Development and Expertise in Mobile Apps Development. Our services include Responsive Web Design, Web Development, E-commerce Development, Creating Online Stores, SEO Services, WordPress Website Development, Payment Integration in KNET and Credit Cards, IOS App Development in iPhone/iPad, and Android Apps Development.

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CHRISANS GROUP

Chrisans Solutions is a Kuwait based registered web designer & development company having powerful team in ECommerce Website Designing and Mobile Apps development, which includes ECommerce - Online Shopping Store Website Development, Digital marketing, KNET Integration and IOS App Development in IPhone/IPad, Android Apps Development. We Offer Web design kuwait complete and All-embracing web related services including Mobile App Development Kuwait.

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Cambridge International A Level School in Chennai

CPS Global School is a leading international schools group managed by the Kupidisaatham Narayanaswami Educational Trust (KNET). The School offers encompassing international programs – Cambridge Assessment International Education of the United Kingdom for K-12 and International Baccalaureate Diploma Programme of Geneva for grades 11 and 12. Being aware that learning is one of life’s greatest pleasures, with utmost care we have blended the best of the academic programs from around the world to infuse and instill the value of intellectual integrity among the young learners.

The school has all the state-of-the-art facilities thus making education the most gratifying. Our continued commitment to the educational ethos and our prescient curricular choices have put the school at the leading edge of education in South Asia and won many prestigious awards such as Future 50 Schools Shaping Success, Education World, World’s Greatest Brands and Times Ranking for the tireless efforts in crafting students’ success. The school’s ten-year sojourns of feat and cumulative years of educational experiences are our key to preparing students for real-world success that navigates them through the complex pathways to anchor in the world’s best universities after their tertiary education.

Advanced Subsidiary Level and Advanced Level from Cambridge International Examinations, in short AS / A Levels are benchmarked qualifications typically for learners aged 16 to 19 years. It provides excellent preparation for university and higher education. This Cambridge qualification develops learners’ knowledge, understanding and skills in:

In-depth subject content Independent thinking Applying knowledge and understanding to new as well as familiar situations Handling and evaluating different types of information source. Thinking logically and presenting ordered and coherent arguments Making judgements, recommendations and decisions. Presenting reasoned explanations, understanding implications and communicating them logically and clearly. Working and communicating in English.

Learn more at https://www.cpsglobalschool.com/

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Mobile Apps Development & Web Design software development Company Kuwait

Chrisans Solutions is a Kuwait based registered web designer & development company having professional team in ECommerce Website Designing and Experts in Mobile Apps development, which includes ECommerce - Online Shopping Store Website Development, Wordpress Website Development, KNET Integration and IOS App Development in IPhone/IPad, Android Apps Development. We offer custom Web Design solutions, WordPress Development, Native Mobile Apps Development and Hybrid Mobile Apps Development on React Native and Flutter.

Our Skilled Web Designers, Developers and Web design kuwait Consultants with us have an Extensive Experience of Providing Specifically Customized Website Development & web design kuwait Services catering to the precise requirements of customers. Chrisans Solutions Website Company Kuwait has a proven track record and our Inception traces back to 2009. It was our untiring effort as well as continuous and curious learning process that helped us to emerge as a highly reliable Web Designer Kuwait within this really short Time Period. For more at WEB DESIGN KUWAIT & MAP.

Phone: +965 506 25825

Email: info@chrisansgroup.com

Address: Al Zumorrodah tower, 4th Floor, Ahmad Al Jaber St, Kuwait City, Kuwait

[chrisanswebs]

Chrisans Web Solutions

Chrisans Solutions is a Kuwait based registered web designer & development company having powerful team in ECommerce Website Designing and Mobile Apps development, which includes ECommerce - Online Shopping Store Website Development, Digital marketing, KNET Integration and IOS App Development in IPhone/IPad, Android Apps Development.

We Offer Web design kuwait complete and All-embracing web related services including Mobile App Development Kuwait.

Contact Us:

Location: 4th Floor, Al Zumorrodah Tower

Ahmed Al Jaber st, Kuwait

Phone: +965 506 25825

Email: info@chrisansgroup.com

Website: https://www.chrisansgroup.com

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Download Now KNET Payment Gateway for WooCommerce - WPCroc.com

Download Now KNET Payment Gateway for WooCommerce – WPCroc.com

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WooCommerce KNET payment gateway integrates Kuwait’s most popular payment system to capture secure online payments. Simply put, it allows your customers to use Knet as a payment method for online purchases in your store. Like PayPal, for example.

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KNET WooCommerce Payment Gateway accepts all debit cards issued by its…

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From Fils to Fintech: Kuwait’s Digital Payments Glow-Up Starts Here

Kuwait’s financial landscape is undergoing a massive transformation—from traditional cash transactions to a digital payments innovation. With consumers increasingly favoring seamless, instant, and secure transactions, businesses must adapt or risk falling behind.

Enter PayTabs, a top fintech company that’s reshaping how Kuwaiti businesses handle transactions. Whether you're a small business or an enterprise, PayTabs offers a payment solution that aligns with today’s digital-first expectations—smarter billing, faster payouts, and real-time insights.

The Rise of Digital Payments in Kuwait

Kuwait’s shift toward a cashless economy is accelerating, driven by:

Government initiatives promoting digital transformation

Consumer demand for faster, contactless transactions

Fintech innovation, including super apps and mobile wallets

Businesses that embrace payment orchestration gain a competitive edge by offering multiple payment gateway options, ensuring smooth customer experiences.

How PayTabs Empowers Kuwaiti Businesses

1. Seamless Credit Card Processing

Accept payments effortlessly with PayTabs’ secure credit card processing, reducing checkout friction and boosting conversions.

2. All-in-One Payment Gateway

As one of the leading payment gateway providers, PayTabs supports multiple payment methods— KNET cards, digital wallets, and bank transfers—all in one integration.

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No more waiting days for settlements. Get instant payouts and access transaction analytics in real time, helping you make data-driven decisions.

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Why Choose PayTabs?

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The Future of Payments in Kuwait is Here

Kuwait’s fintech boom is just beginning. With PayTabs, businesses can stay ahead by adopting a future-ready payment solution that meets modern consumer demands.

🚀 Ready to upgrade your payment system? Explore PayTabs Kuwait today!

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Integrating a suitable #payment #gateway on your website or #Mobile #app, In #Kuwait, Saudi or GCC? Business’s as they go online, it is important to have a suitable payment gateways integrated to the system for the web or app users to make payments to the business as per needs. Some of the important factors to consider are listed below - Consider the gateway which is most popular for the user base and prioritize that - Local Gateways in each country can help generate business from bulk of users from that country however, if the audience are of wider reach adding gateways which can be used from outside the country users should be considered. - Debit Card and Credit Card gateways – depends on user behavior in regions choose to prioritize the Debit Card or Credit Card gateways o Generally Credit Card Transactions carry a higher service charge to the business compared to Debit based gateways like KNet, QPay, SADAD Etc. - #Payment Aggregators o Since most payment gateways necessitates to have a real company registered and a bank account for the company, most small businesses face difficulty in getting a gateway for their new project or app. This was the demand the payment aggregators like Payfort, MyFatoorah,GoTap etc catered to. o Users can create an account with such providers, integrate the gateways and then receive the money via the service provider. The service provider receives the money from customers and then transfers to the company on scheduled time basis. - International Channels o Since online shopping took off, many payment gateways like #Paypal, #Stripe Etc have become really popular. Provided that these companies support depositing money to your account in your chosen country it is good to integrate with such channels. These channels allows find collection from across the world using the Credit Cards from any country. The commission factor When ever you choose a payment gateway, make sure to ready the terms, charges involved and more particularly the transaction charges and its structure from the company offering the service. (at Kuwait City) https://www.instagram.com/p/BwhVqLqBkJ5/?utm_source=ig_tumblr_share&igshid=1jhfy6dv628ol